Articles tagged with breath of the wild


 
 
'tis the Season

15-02-17
Posted by Mark at 19:11

I bloody love Game of Thrones. It's the best thing.

Every week when the series is running I like nothing more than sitting down in front of the TV to watch these brilliant, well-formed characters played by the best actors working in television absolutely at the top of their game as the deep and engaging story twists and turns, aided by the some of the best production money can buy from their location filming to the CGI special effects.

And the thing is, you don't get that sort of thing anywhere else. I tried watching that Jersey Shore when it was on MTV and it's just not for me. If you've not seen it, it's a reality show about people getting drunk in nightclubs then going home and having sex and/or a blazing row. Okay, GoT has more than its fair share of drinking and shagging but it all serves part of a wider narrative in a way that it doesn't in this.

Either way, Jersey Shore isn't for me. It doesn't offer me what GoT does. Similarly a lot of what makes Jersey Shore what it is is absent from Thrones, and that's what I appreciate about it, and I'm sure the reverse is true.

And you know? That's fine. I don't think they're making Jersey Shore any more, but I'm sure MTV're making something in a similar vein, and if they want to run nothing but Jersey Shorealikes, that's equally fine. I don't blame them- it's cheap to make, and MTV get a hell of a return on their investment. MTV are a business, and Shore is good business.

So they want to fill MTV 2 with it, that's equally OK, and if they want to launch MTV 3, 4, 5, all the way up to MTV 100 and show nothing but wall-to-wall Jersey Shore on all of it that's absolutely A-OK, so long as I've got my HBO and my Game of Thrones. You all do you, I'll be over here.

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So it turns out that HBO have announced that the next series of Game of Thrones is taking a bit of a turn. It's not going to be set in the fantasy land of Westeros at some undefined point in what we'd call "The Past" any more, it's going to be set in the modern-day, real world. And instead of being a scripted drama, it's going to be a reality show. About people getting drunk in a nightclub.

And they're also turning Westworld into a shitty mobile Gacha game.

Nintendo's recent announcement that Zelda: Breath of the Wild is going to have a Season Pass has been met with widespread disappointment, from myself as much as anybody else. The reason it's been met with such, is because they've done exactly the above.

As with most criticism that comes from within gaming, there's been an equally loud- if not louder- attempt at shutting the criticism out, mostly by accusing the people of complaining of all sorts of things simply for the act of criticising, but occasionally by coming out with counterpoints that are not incorrect, but also not particularly relevant.

"But business!" cries the journalist. "All the other games companies have been doing it for ages!" exclaims the random on social media. "It's not even the first Nintendo game with DLC!", follows up the smartarse who thinks they've pre-empted the counterargument. "There is such a thing as good DLC!" says someone who's missed the point spectacularly.

Yes, Nintendo are a business and they've have had a hard time of it in the last few years, and the Season Pass model is proven to work as a moneymaker. Equally, the notion that Season Passes are widespread is unequivocally true- a cursory search of XBox One suggests there's 64 of them already, for games as recent as Sniper Elite 4 and For Honor, which only came out this week. Nintendo games have had DLC, even Zelda spinoff Hyrule Warriors (which itself had a Season Pass) and Mario Kart 8's DLC is often cited as a good example of DLC being done right.

All of these points are very true, and nobody is saying otherwise.

But we can make similar points of reality TV, it's good business, it's not a new format (Big Brother started nearly seventeen years ago) HBO- or at least its parent company Warner Brothers- is responsible for The Bachelor, amongst other shows and the first series of The Genius is probably one of my favourite shows of the last few years.

What makes HBO great is the quality of its programming. What makes HBO amazing is that in a sea of trashy reality shows, lazy sitcoms and by-the-numbers police procedurals they stand out for their dedication to not doing that. For them to throw it away on making yet another show in the style of Jersey Shore, even if it was the best possible example of such, would be a crushing disappointment.

Likewise, what makes Nintendo great is the quality of its games. What makes Nintendo amazing is that in a sea of tacked-on multiplayer modes, scummy microtransactions and games being cut into piecemeal DLC chunks so you have to spend Ł80 to get the same game you used to pay Ł40 for, they stand out for not doing that, for still making these finely-crafted single-player experiences that the Zelda series in particular is known for being.

Even if Breath of the Wild is still incredible (which I think we all know it's probably going to be) and everybody complaining still goes out and buys both game and Pass on day one to throw that away by sticking a Season Pass on what is really the last bastion of AAA headliners without upsells is equally crushing- and everybody who is disappointed about it is absolutely right to be.
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Sep
25
2016
Posted by Mark at 19:11
There's been an amount made about the state of the event at this year's EGX- and while I'll be trying to focus on the games played, there are a few things that can't be avoided.

First, and the one which created the most noise was Sony's handling of Horizon: Zero Dawn- only available to play in a closed-off area, the 30-minute demo meant that formal queuing was abandoned early on in favour of booking sessions, all of which were filled up by 11AM each day- completely shutting out anyone who didn't have an Early Access ticket to the event.

Sony are not the first people to underestimate the demand to see a title at such a show, but questions have to be asked as to why so few consoles were made available considering the length of the demo, more so when the games immediately next to it on Sony's booth were Overwatch and Uncharted 4- both well-marketed games that have been out for some time, the former of which had its own dedicated booth.

The other two platform holders were also conspicuous by their absences- Microsoft's presence being limited to showing Gears of War 4 in a corner of the 18+ area and Forza Horizon 3 making an appearance on the Twitch booth, and Nintendo not showing up at all.

Microsoft's decision not to showcase the XBox One S and let Sony hog the limelight with PS4 Pro seems like an own-goal, but at least one of their flagship series made an appearance, to an extent doing what Nintendo did at E3 with Breath Of The Wild.

The next Zelda game, like its developer, didn't make an appearance at EGX, beyond a glancing mention in the show magazine (this year just an advert for Amazon rather than telling you anything about the games being exhibited), not even in a closed-off Horizonbox or as a developer session.

Nintendo not being present is almost inexplicable, especially when you consider that in the much less-attended Hyper Japan earlier in the year, Nintendo had a not insignificant showing, including integrating BotW's UK premiere into its stage show and creating a Pokémon showcase, capitalising on the back of the then-new Pokémon Go.

Despite what that event's name would suggest, Nintendo's showing there wasn't entirely niche titles with little appeal outside the otaku market, so it probably wouldn't have been too difficult to simply pick up that show and drop it into EGX, maybe adding a bit of Super Mario Run if they really had to.

Mainly appealing to otakudom still probably wouldn't have hurt, if Square-Enix' booth was anything to go by, showcasing World Of Final Fantasy- one of three FF games exhibited (four if Kingdom Hearts HD 2.8 counts), a dungeon crawler whose gimmick seems to be that the characters can transform into cute chibis at will, a mechanic which seems to exist solely to sell Nendoroid figures.

More interesting was the adjacent Dragon Quest Builders, the Minecraftalike that Ben has already posted the trailer of.

(And if you were waiting, this marks the first appearance of a game I actually played)

The notion of Minecraft with story and objectives appears interesting, and advanced platformer-y tasks could be seen played on Sony's stage, although the playable demo didn't seem to last long enough to reach that point. The move to third-person, despite certain control changes to accommodate, makes placing blocks slightly harder than it could be, which is likely to cause frustration.

The rest of Squeenix' booth was made up of Rise Of The Tomb Raider and Hitman, promoting their PS4 re-release and latest episodes respectively.

Possibly as a factor of the absence of Microsoft and Nintendo, aside from the usual iterative titles (This year's CoD, FIFA, WWE, Pro Evo and Battlefield) the only other meaningful showing- save for Sega settling nicely into its strategy niche, and Sniper Elite 4 helping Rebellion continue to punch above its weight- from a AAA developer was Bethesda, showcasing Dishonored 2.

The level shown in the demo featured a mansion whose rooms could shift into different configurations at the pull of a lever- meaning in order to complete the level's two objectives (saving a colleague from the first game and taking down this game's antagonist) the player has to creep around the crawlspaces under the floors- a little like a Victoriana latter half of Portal.

The enemies shown, rather than the humans which made up the previous game, were all robots, which added an extra element of strategy to combat. Decapitation causes them to attack anything that makes a noise, meaning they can be used by the player to take down other enemies.

Sniper Elite 4, incidentally, was pretty much Sniper Elite 3, but bigger. Which is absolutely fine by me.

That feels like a nice cut-off point, tomorrow I'll recap the better indie and smaller games of the show.
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